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SLANG,
YOUTH
SUBCULTURES
AND
ROCK MUSIC
PRIVATE "TYPE=PICT;ALT="PRIVATE "TYPE=PICT;ALT= "CONTENTS
I.Introduction
II. Slang
1. Definition
2. Origins
3. Development of slang
4. Creators of slang
5. Sources
6. Linguistic processes forming slang
7. Characteristics of slang
8. Diffusion of slang
9. Uses of slang
10. Attitudes toward slang
11. Formation
12. Position in the Language
III. Youth Subcultures
1. The Concept of Youth Subcultures
2. The Formation of Youth Subcultures
3. The Increase of Youth Subculture
4. The Features of Youth Subcultures
5. The Types of Youth Subcultures
6. The Variety of Youth Subcultures
IV. Rock Music
1. What is rock?
2. Rock in the 1950s
3. Rock in the 1960s
4. Rock in the 1970s
5. Rock in the 1980s and '90s
V. Rock subcultures
1.Hippie
2.Punk
3.Mod
4.Skinhead
5.Goth
6.Industrial
7.Hardcore
8.Straight Edge
9.Grunge
10.Alternative
11.Metal
VI. Dictionary
1.Dictionary of youth slang during 1960-70’s
2.Dictionary of modern British slang
VII. Bibliography
INTRODUCTION
My graduation paper is devoted to
the study of the topic “Slang, youth subcultures and rock music.”This work consists of 5 parts. The first part
is about slang. What is it?
PRIVATE "TYPE=PICT;ALT= "PRIVATE
"TYPE=PICT;ALT= "
Slang, informal, nonstandard words and phrases, generally
shorter lived than the expressions of ordinary colloquial speech, and typically
formed by creative, often witty juxtapositions of words or images. Slang can be
contrasted with jargon (technical language of occupational or other groups) and
with argot or cant (secret vocabulary of underworld groups), but the
borderlines separating these categories from slang are greatly blurred, and
some writers use the terms cant, argot, and jargon in a general
way to include all the foregoing meanings.
PRIVATE "TYPE=PICT;ALT= "Origins of slang
PRIVATE "TYPE=PICT;ALT= "PRIVATE
"TYPE=PICT;ALT= "Slang tends to originate in subcultures within a
society. Occupational groups (for example, loggers, police, medical
professionals, and computer specialists) are prominent originators of both
jargon and slang; other groups creating slang include the armed forces,
teenagers, racial minorities, ghetto residents, labor unions, citizens-band
radiobroadcasters, sports groups, drug addicts, criminals, and even religious
denominations (Episcopalians, for example, produced spike, a High Church
Anglican). Slang expressions often embody attitudes and values of group
members. They may thus contribute to a sense of group identity and may convey
to the listener information about the speaker's background. Before an apt
expression becomes slang, however, it must be widely adopted by members of the
subculture. At this point slang and jargon overlap greatly. If the subculture
has enough contact with the mainstream culture, its figures of speech become
slang expressions known to the whole society. For example, cat (a
sport), cool (aloof, stylish), Mr. Charley (a white man), The
Man (the law), and Uncle Tom (a meek black) all originated in the
predominantly black Harlem district of New York City and have traveled far
since their inception. Slang is thus generally not tied to any geographic
region within a country.
A slang expression may suddenly become
widely used and as quickly dated (23-skiddoo). It may become accepted as
standard speech, either in its original slang meaning (bus, from omnibus)
or with an altered, possibly tamed meaning (jazz, which originally had
sexual connotations). Some expressions have persisted for centuries as slang (booze
for alcoholic beverage). In the 20th century, mass media and rapid travel have
speeded up both the circulation and the demise of slang terms. Television and
novels have turned criminal cant into slang (five grand for $5000).
Changing social circumstances may stimulate the spread of slang. Drug-related
expressions (such as pot and marijuana) were virtually a secret
jargon in the 1940s; in the 1960s they were adopted by rebellious youth; and in
the 1970s and '80s they were widely known.
PRIVATE "TYPE=PICT;ALT= "Uses of slang
PRIVATE "TYPE=PICT;ALT= "PRIVATE
"TYPE=PICT;ALT= "In some cases slang may provide a needed name for an
object or action (walkie-talkie, a portable two-way radio; tailgating,
driving too close behind another vehicle), or it may offer an emotional outlet
(buzz off! for go away!) or a satirical or patronizing reference (smokey,
state highway trooper). It may provide euphemisms (john, head, can, and
in Britain, loo, all for toilet, itself originally a euphemism), and it
may allow its user to create a shock effect by using a pungent slang expression
in an unexpected context. Slang has provided myriad synonyms for parts of the
body (bean, head; schnozzle, nose), for money (moola, bread,
scratch), for food (grub, slop, garbage), and for drunkenness (soused,
stewed, plastered).
PRIVATE "TYPE=PICT;ALT= " Formation of slang
PRIVATE "TYPE=PICT;ALT= "Slang expressions are created by the same processes
that affect ordinary speech. Expressions may take form as metaphors, similes,
and other figures of speech (dead as a doornail). Words may acquire new
meanings (cool,cat). A narrow meaning may become generalized (fink,
originally a strikebreaker, later a betrayer or disappointer) or vice-versa (heap,
a run-down car). Words may be clipped, or abbreviated (mike,
microphone), and acronyms may gain currency (VIP, AWOL, nafu). A foreign
suffix may be added (the Yiddish and Russian -nik in beatnik) and
foreign words adopted (baloney, from Bologna). A change in meaning may
make a vulgar word acceptable (jazz) or an acceptable word vulgar (raspberry,
a sound imitating flatus; from raspberry tart in the rhyming slang of
Australia and Cockney London; Sometimes words are newly coined (oomph,
sex appeal, and later, energy or impact).
PRIVATE "TYPE=PICT;ALT= "Position in the Language
PRIVATE "TYPE=PICT;ALT= "Slang is one of the vehicles through which languages change and become renewed, and its vigor and color enrich daily speech. Although it has gained respectability in the 20th century, in the past it was often loudly condemned as vulgar. Nevertheless, Shakespeare brought into acceptable usage such slang terms as hubbub, to bump, and to dwindle, and 20th-century writers have used slang brilliantly to convey character and ambience. Slang appears at all times and in all languages. A person's head was kapala (dish) in Sanskrit, testa (pot) in Latin; testa later became the standard Latin word for head. Among Western languages, English, French, Spanish, Italian, German, Yiddish, Romanian, and Romani (Gypsy) are particularly rich in slang.
PRIVATE "TYPE=PICT;ALT= "The second part of my graduation paper is about youth subcultures.
"Subcultures are meaning systems, modes of expression or life styles developed by groups in subordinate structural positions in response to dominant meaning systems, and which reflect their attempt to solve structural contradictions rising from the wider societal context"
The PRIVATE
"TYPE=PICT;ALT= "next part is about rock music in the 1950s – ‘90s. What is rock?
PRIVATE "TYPE=PICT;ALT= "
Rock Music, group of related music styles that have dominated
popular music in the West since about 1955. Rock music began in the United
States, but it has influenced and in turn been shaped by a broad field of
cultures and musical traditions, including gospel music, the blues,
country-and-western music, classical music, folk music, electronic music, and
the popular music of Asia, Africa, and Latin America. In addition to its use as
a broad designation, the term rock music commonly refers to music styles
after 1959 predominantly influenced by white musicians. Other major rock music
styles include rock and rollthe first
genre of the music; and rhythm-and-blues music, influenced mainly by black
American musicians. Each of these major genres encompasses a variety of
substyles, such as heavy metal, punk, alternative, and grunge. While
innovations in rock music have often occurred in regional centers—such as New
York City, Kingston, Jamaica, and Liverpool, England—the influence of rock
music is now felt worldwide.
PRIVATE "TYPE=PICT;ALT= "The fourth part is about different rock subcultures
such as hippie, punk, skinhead, goth, hardcore, grunge, heavy metal and others.
I discribed their fashion, style, bands, music, lyrics, political views.
And the last part contains two dictionaries. The first dictionary is about youth slang during1960 –70’s and the second dictionary consists of modern British slang.
Slang ... an attempt of common humanity to escape from bald literalism, and express itself illimitably ... the wholesome fermentation or eductation of those processes eternally active in language, by which froth and specks are thrown up, mostly to pass away, though occasionally to settle and permanently crystallise.
Walt Whitman, 1885
I. SLANG
1. Definition
Main Entry: 1slang
Pronunciation: 'sla[ng]
Function: noun
Etymology: origin unknown
Date: 1756
1 : language peculiar to a particular group: as a : ARGOT b : JARGON 2
2 : an informal nonstandard vocabulary composed typically of
coinages, arbitrarily changed words, and extravagant, forced, or facetious
figures of speech
- slang adjective
- slang·i·ly /'sla[ng]-&-lE/
adverb
- slang·i·ness /'sla[ng]-E-n&s/
noun
- slangy /'sla[ng]-E/
adjective
Main Entry: 2slang
Date: 1828
intransitive senses : to use slang or vulgar abuse
transitive senses : to abuse with harsh or coarse language
Main Entry: rhyming slang
Function: noun
Date: 1859
: slang in which the word intended is replaced by a word or phrase that
rhymes with it (as loaf of bread for head) or the first part of
the phrase (as loaf for head)
Source: Webster's Revised Unabridged Dictionary
Slang
nonstandard vocabulary composed of words or senses characterized primarily by connotations of extreme informality and usually by a currency not limited to a particular region. It is composed typically of coinages or arbitrarily changed words, clipped or shortened forms, extravagant, forced, or facetious figures of speech, or verbal novelties.
Slang consists of the words and expressions that have escaped from the cant, jargon and argot (and to a lesser extent from dialectal, nonstandard, and taboo speech) of specific subgroups of society so that they are known and used by an appreciable percentage of the general population, even though the words and expressions often retain some associations with the subgroups that originally used and popularized them. Thus, slang is a middle ground for words and expressions that have become too popular to be any longer considered as part of the more restricted categories, but that are not yet (and may never become) acceptable or popular enough to be considered informal or standard. (Compare the slang "hooker" and the standard "prostitute.")
Under the terms of such a definition, "cant" comprises the restricted, non-technical words and expressions of any particular group, as an occupational, age, ethnic, hobby, or special-interest group. (Cool, uptight, do your thing were youth cant of the late 1960s before they became slang.) "Jargon" is defined as the restricted, technical, or shoptalk words and expressions of any particular group, as an occupational, trade, scientific, artistic, criminal, or other group. (Finals used by printers and by students, Fannie May by money men, preemie by obstetricians were jargon before they became slang.) "Argot" is merely the combined cant and jargon of thieves, criminals, or any other underworld group. (Hit used by armed robbers; scam by corporate confidence men.)
Slang fills a necessary niche in all languages, occupying a middle ground between the standard and informal words accepted by the general public and the special words and expressions known only to comparatively small social subgroups. It can serve as a bridge or a barrier, either helping both old and new words that have been used as "insiders' " terms by a specific group of people to enter the language of the general public or, on the other hand, preventing them from doing so. Thus, for many words, slang is a testing ground that finally proves them to be generally useful, appealing, and acceptable enough to become standard or informal. For many other words, slang is a testing ground that shows them to be too restricted in use, not as appealing as standard synonyms, or unnecessary, frivolous, faddish, or unacceptable for standard or informal speech. For still a third group of words and expressions, slang becomes not a final testing ground that either accepts or rejects them for general use but becomes a vast limbo, a permanent holding ground, an area of speech that a word never leaves. Thus, during various times in history, American slang has provided cowboy, blizzard, okay, racketeer, phone, gas, and movie for standard or informal speech. It has tried and finally rejected conbobberation (disturbance), krib (room or apartment), lucifer (match), tomato (girl), and fab (fabulous) from standard or informal speech. It has held other words such as bones (dice), used since the 14th century, and beat it (go away), used since the 16th century, in a permanent grasp, neither passing them on to standard or informal speech nor rejecting them from popular, long-term use.
Slang words cannot be distinguished from other words by sound or meaning. Indeed, all slang words were once cant, jargon, argot, dialect, nonstandard, or taboo. For example, the American slang to neck (to kiss and caress) was originally student cant; flattop (an aircraft carrier) was originally navy jargon; and pineapple (a bomb or hand grenade) was originally criminal argot. Such words did not, of course, change their sound or meaning when they became slang. Many slang words, such as blizzard, mob, movie, phone, gas, and others, have become informal or standard and, of course, did not change in sound or meaning when they did so. In fact, most slang words are homonyms of standard words, spelled and pronounced just like their standard counterparts, as for example (American slang), cabbage (money), cool (relaxed), and pot (marijuana). Of course, the words cabbage, cool, and pot sound alike in their ordinary standard use and in their slang use. Each word sounds just as appealing or unappealing, dull or colourful in its standard as in its slang use. Also, the meanings of cabbage and money, cool and relaxed, pot and marijuana are the same, so it cannot be said that the connotations of slang words are any more colourful or racy than the meanings of standard words.
All languages, countries, and periods of history have slang. This is true because they all have had words with varying degrees of social acceptance and popularity.
All segments of society use some slang, including the most educated, cultivated speakers and writers. In fact, this is part of the definition of slang. For example, George Washington used redcoat (British soldier); Winston Churchill used booze (liquor); and Lyndon B. Johnson used cool it (calm down, shut up).
The same linguistic processes are used to create and popularize slang as are used to create and popularize all other words. That is, all words are created and popularized in the same general ways; they are labeled slang only according to their current social acceptance, long after creation and popularization.
Slang is not the language of the underworld, nor does most of it necessarily come from the underworld. The main sources of slang change from period to period. Thus, in one period of American slang, frontiersmen, cowboys, hunters, and trappers may have been the main source; during some parts of the 1920s and '30s the speech of baseball players and criminals may have been the main source; at other times, the vocabulary of jazz musicians, soldiers, or college students may have been the main source.
To fully understand slang, one must remember that a word's use, popularity, and acceptability can change. Words can change in social level, moving in any direction. Thus, some standard words of William Shakespeare's day are found only in certain modern-day British dialects or in the dialect of the southern United States. Words that are taboo in one era (e.g., stomach, thigh) can become accepted, standard words in a later era. Language is dynamic, and at any given time hundreds, and perhaps thousands, of words and expressions are in the process of changing from one level to another, of becoming more acceptable or less acceptable, of becoming more popular or less popular.
2. Origins
Slang tends to originate in subcultures within a society. Occupational groups (for example, loggers, police, medical professionals, and computer specialists) are prominent originators of both jargon and slang; other groups creating slang include the armed forces, teenagers, racial minorities, ghetto residents, labor unions, citizens-band radiobroadcasters, sports groups, drug addicts, criminals, and even religious denominations (Episcopalians, for example, produced spike, a High Church Anglican). Slang expressions often embody attitudes and values of group members. They may thus contribute to a sense of group identity and may convey to the listener information about the speaker’s background. Before an apt expression becomes slang, however, it must be widely adopted by members of the subculture. At this point slang and jargon overlap greatly. If the subculture has enough contact with the mainstream culture, its figures of speech become slang expressions known to the whole society. For example, cat (a sport), cool (aloof, stylish), Mr. Charley (a white man), The Man (the law), and Uncle Tom (a meek black) all originated in the predominantly black Harlem district of New York City and have traveled far since their inception. Slang is thus generally not tied to any geographic region within a country.
A slang expression may suddenly become widely used and as quickly date (23-skiddoo). It may become accepted as standard speech, either in its original slang meaning (bus, from omnibus) or with an altered, possibly tamed meaning (jazz, which originally had sexual connotations). Some expressions have persisted for centuries as slang (booze for alcoholic beverage). In the 20th century, mass media and rapid travel have speeded up both the circulation and the demise of slang terms. Television and novels have turned criminal cant into slang (five grand for $5000). Changing social circumstances may stimulate the spread of slang. Drug-related expressions (such as pot and marijuana) were virtually a secret jargon in the 1940s; in the 1960s they were adopted by rebellious youth; and in the 1970s and ’80s they were widely known.
3. Development of slang
Slang emanates from conflicts in values, sometimes superficial, often fundamental. When an individual applies language in a new way to express hostility, ridicule, or contempt, often with sharp wit, he may be creating slang, but the new expression will perish unless it is picked up by others. If the speaker is a member of a group that finds that his creation projects the emotional reaction of its members toward an idea, person, or social institution, the expression will gain currency according to the unanimity of attitude within the group. A new slang term is usually widely used in a subculture before it appears in the dominant culture. Thus slang--e.g., "sucker," "honkey," "shave-tail," "jerk"--expresses the attitudes, not always derogatory, of one group or class toward the values of another. Slang sometimes stems from within the group, satirizing or burlesquing its own values, behaviour, and attitudes; e.g., "shotgun wedding," "cake eater," "greasy spoon." Slang, then, is produced largely by social forces rather than by an individual speaker or writer who, single-handed (like Horace Walpole, who coined "serendipity" more than 200 years ago), creates and establishes a word in the language. This is one reason why it is difficult to determine the origin of slang terms.
4. Creators of slang
Civilized society tends to divide into a dominant culture and various subcultures that flourish within the dominant framework. The subcultures show specialized linguistic phenomena, varying widely in form and content, that depend on the nature of the groups and their relation to each other and to the dominant culture. The shock value of slang stems largely from the verbal transfer of the values of a subculture to diametrically opposed values in the dominant culture. Names such as fuzz, pig, fink, bull, and dick for policemen were not created by officers of the law. (The humorous "dickless tracy," however, meaning a policewoman, was coined by male policemen.)
Occupational groups are legion, and while in most respects they identify with the dominant culture, there is just enough social and linguistic hostility to maintain group solidarity. Terms such as scab, strike-breaker, company-man, and goon were highly charged words in the era in which labour began to organize in the United States; they are not used lightly even today, though they have been taken into the standard language.
In addition to occupational and professional groups, there are many other types of subcultures that supply slang. These include sexual deviants, narcotic addicts, ghetto groups, institutional populations, agricultural subsocieties, political organizations, the armed forces, Gypsies, and sports groups of many varieties. Some of the most fruitful sources of slang are the subcultures of professional criminals who have migrated to the New World since the 16th century. Old-time thieves still humorously refer to themselves as FFV--First Families of Virginia.
In criminal subcultures, pressure applied by the dominant culture intensifies the internal forces already at work, and the argot forming there emphasizes the values, attitudes, and techniques of the subculture. Criminal groups seem to evolve about this specialized argot, and both the subculture and its slang expressions proliferate in response to internal and external pressures.
5. Sources
Most subcultures tend to draw words and phrases from the contiguous language (rather than creating many new words) and to give these established terms new and special meanings; some borrowings from foreign languages, including the American Indian tongues, are traditional. The more learned occupations or professions like medicine, law, psychology, sociology, engineering, and electronics tend to create true neologisms, often based on Greek or Latin roots, but these are not major sources for slang, though nurses and medical students adapt some medical terminology to their slang, and air force personnel and some other branches of the armed services borrow freely from engineering and electronics.
6. Linguistic processes forming slang
The processes by which words become slang are the same as those by which other words in the language change their form or meaning or both. Some of these are the employment of metaphor, simile, folk etymology, distortion of sounds in words, generalization, specialization, clipping, the use of acronyms, elevation and degeneration, metonymy, synecdoche, hyperbole, borrowings from foreign languages, and the play of euphemism against taboo. The English word trip is an example of a term that has undergone both specialization and generalization. It first became specialized to mean a psychedelic experience resulting from the drug LSD. Subsequently, it generalized again to mean any experience on any drug, and beyond that to any type of "kicks" from anything. Clipping is exemplified by the use of "grass" from "laughing grass," a term for marijuana. "Funky," once a very low term for body odour, has undergone elevation among jazz buffs to signify "the best"; "fanny," on the other hand, once simply a girl's name, is currently a degenerated term that refers to the buttocks (in England, it has further degenerated into a taboo word for the female genitalia). There is also some actual coinage of slang terms.
7. Characteristics of slang
Psychologically, most good slang harks back to the stage in human culture when animism was a worldwide religion. At that time, it was believed that all objects had two aspects, one external and objective that could be perceived by the senses, the other imperceptible (except to gifted individuals) but identical with what we today would call the "real" object. Human survival depended upon the manipulation of all "real" aspects of life--hunting, reproduction, warfare, weapons, design of habitations, nature of clothing or decoration, etc.--through control or influence upon the animus, or imperceptible phase of reality. This influence was exerted through many aspects of sympathetic magic, one of the most potent being the use of language. Words, therefore, had great power, because they evoked the things to which they referred.
Civilized cultures and their languages retain many remnants of animism, largely on the unconscious level. In Western languages, the metaphor owes its power to echoes of sympathetic magic, and slang utilizes certain attributes of the metaphor to evoke images too close for comfort to "reality." For example, to refer to a woman as a "broad" is automatically to increase her girth in an area in which she may fancy herself as being thin. Her reaction may, thus, be one of anger and resentment, if she happens to live in a society in which slim hips are considered essential to feminine beauty. Slang, then, owes much of its power to shock to the superimposition of images that are incongruous with images (or values) of others, usually members of the dominant culture. Slang is most popular when its imagery develops incongruity bordering on social satire. Every slang word, however, has its own history and reasons for popularity. When conditions change, the term may change in meaning, be adopted into the standard language, or continue to be used as slang within certain enclaves of the population. Nothing is flatter than dead slang. In 1910, for instance, "Oh you kid" and "23-skiddoo" were quite stylish phrases in the U.S. but they have gone with the hobble skirt. Children, however, unaware of anachronisms, often revive old slang under a barrage of older movies rerun on television.
Some slang becomes respectable when it loses its edge; "spunk," "fizzle," "spent," "hit the spot," "jazz," "funky," and "p.o.'d," once thought to be too indecent for feminine ears, are now family words. Other slang survives for centuries, like "bones" for dice (Chaucer), "beat it" for run away (Shakespeare), "duds" for clothes, and "booze" for liquor (Dekker). These words must have been uttered as slang long before appearing in print, and they have remained slang ever since. Normally, slang has both a high birth and death rate in the dominant culture, and excessive use tends to dull the lustre of even the most colourful and descriptive words and phrases. The rate of turnover in slang words is undoubtedly encouraged by the mass media, and a term must be increasingly effective to survive.
While many slang words introduce new concepts, some of the most effective slang provides new expressions--fresh, satirical, shocking--for established concepts, often very respectable ones. Sound is sometimes used as a basis for this type of slang, as, for example, in various phonetic distortions (e.g., pig Latin terms). It is also used in rhyming slang, which employs a fortunate combination of both sound and imagery. Thus, gloves are "turtledoves" (the gloved hands suggesting a pair of billing doves), a girl is a "twist and twirl" (the movement suggesting a girl walking), and an insulting imitation of flatus, produced by blowing air between the tip of the protruded tongue and the upper lip, is the "raspberry," cut back from "raspberry tart." Most slang, however, depends upon incongruity of imagery, conveyed by the lively connotations of a novel term applied to an established concept. Slang is not all of equal quality, a considerable body of it reflecting a simple need to find new terms for common ones, such as the hands, feet, head, and other parts of the body. Food, drink, and sex also involve extensive slang vocabulary. Strained or synthetically invented slang lacks verve, as can be seen in the desperate efforts of some sportswriters to avoid mentioning the word baseball--e.g., a batter does not hit a baseball but rather "swats the horsehide," "plasters the pill," "hefts the old apple over the fence," and so on.
The most effective slang operates on a more sophisticated level and often tells something about the thing named, the person using the term, and the social matrix against which it is used. Pungency may increase when full understanding of the term depends on a little inside information or knowledge of a term already in use, often on the slang side itself. For example, the term Vatican roulette (for the rhythm system of birth control) would have little impact if the expression Russian roulette were not already in wide usage.
8. Diffusion of slang
Slang invades the dominant culture as it seeps out of various subcultures. Some words fall dead or lie dormant in the dominant culture for long periods. Others vividly express an idea already latent in the dominant culture and these are immediately picked up and used. Before the advent of mass media, such terms invaded the dominant culture slowly and were transmitted largely by word of mouth. Thus a term like snafu, its shocking power softened with the explanation "situation normal, all fouled up," worked its way gradually from the military in World War II by word of mouth (because the media largely shunned it) into respectable circles. Today, however, a sportscaster, news reporter, or comedian may introduce a lively new word already used by an in-group into millions of homes simultaneously, giving it almost instant currency. For example, the term uptight was first used largely by criminal narcotic addicts to indicate the onset of withdrawal distress when drugs are denied. Later, because of intense journalistic interest in the drug scene, it became widely used in the dominant culture to mean anxiety or tension unrelated to drug use. It kept its form but changed its meaning slightly.
Other terms may change their form or both form and meaning, like "one for the book" (anything unusual or unbelievable). Sportswriters in the U.S. borrowed this term around 1920 from the occupational language of then legal bookmakers, who lined up at racetracks in the morning ("the morning line" is still figuratively used on every sports page) to take bets on the afternoon races. Newly arrived bookmakers went to the end of the line, and any bettor requesting unusually long odds was motioned down the line with the phrase, "That's one for the end book." The general public dropped the "end" as meaningless, but old-time gamblers still retain it. Slang spreads through many other channels, such as popular songs, which, for the initiate, are often rich in double entendre.
When subcultures are structurally tight, little of their language leaks out. Thus the Mafia, in more than a half-century of powerful criminal activity in America, has contributed little slang. When subcultures weaken, contacts with the dominant culture multiply, diffusion occurs, and their language appears widely as slang. Criminal narcotic addicts, for example, had a tight subculture and a highly secret argot in the 1940s; now their terms are used freely by middle-class teenagers, even those with no real knowledge of drugs.
9. Uses of slang
In some cases slang may provide a needed name for an object or action (walkie-talkie, a portable two-way radio; tailgating, driving too close behind another vehicle), or it may offer an emotional outlet (buzz off! for go away!) or a satirical or patronizing reference (smokey, state highway trooper). It may provide euphemisms (john, head, can, and in Britain, loo, all for toilet, itself originally a euphemism), and it may allow its user to create a shock effect by using a pungent slang expression in an unexpected context. Slang has provided myriad synonyms for parts of the body (bean, head; schnozzle, nose), for money (moola, bread, scratch), for food (grub, slop, garbage), and for drunkenness (soused, stewed, plastered).
Slang is used for many purposes, but generally it expresses a certain emotional attitude; the same term may express diametrically opposed attitudes when used by different people. Many slang terms are primarily derogatory, though they may also be ambivalent when used in intimacy or affection. Some crystallize or bolster the self-image or promote identification with a class or in-group. Others flatter objects, institutions, or persons but may be used by different people for the opposite effect. "Jesus freak," originally used as ridicule, was adopted as a title by certain street evangelists. Slang sometimes insults or shocks when used directly; some terms euphemize a sensitive concept, though obvious or excessive euphemism may break the taboo more effectively than a less decorous term. Some slang words are essential because there are no words in the standard language expressing exactly the same meaning; e.g., "freak-out," "barn-storm," "rubberneck," and the noun "creep." At the other extreme, multitudes of words, vague in meaning, are used simply as fads.
There are many other uses to which slang is put, according to the individual and his place in society. Since most slang is used on the spoken level, by persons who probably are unaware that it is slang, the choice of terms naturally follows a multiplicity of unconscious thought patterns. When used by writers, slang is much more consciously and carefully chosen to achieve a specific effect. Writers, however, seldom invent slang.
It has been claimed that slang is created by ingenious individuals to freshen the language, to vitalize it, to make the language more pungent and picturesque, to increase the store of terse and striking words, or to provide a vocabulary for new shades of meaning. Most of the originators and purveyors of slang, however, are probably not conscious of these noble purposes and do not seem overly concerned about what happens to their language.
10. Attitudes toward slang
With the rise of naturalistic writing demanding realism, slang began to creep into English literature even though the schools waged warfare against it, the pulpit thundered against it, and many women who aspired to gentility and refinement banished it from the home. It flourished underground, however, in such male sanctuaries as lodges, poolrooms, barbershops, and saloons.
By 1925 a whole new generation of U.S. and European naturalistic writers was in revolt against the Victorian restraints that had caused even Mark Twain to complain, and today any writer may use slang freely, especially in fiction and drama. It has become an indispensable tool in the hands of master satirists, humorists, and journalists. Slang is now socially acceptable, not just because it is slang but because, when used with skill and discrimination, it adds a new and exciting dimension to language. At the same time, it is being seriously studied by linguists and other social scientists as a revealing index to the culture that produces and uses it.
11. Formation
Slang expressions are created by the same processes that affect ordinary speech. Expressions may take form as metaphors, similes, and other figures of speech (dead as a doornail). Words may acquire new meanings (cool, cat). A narrow meaning may become generalized (fink, originally a strikebreaker, later a betrayer or disappointer) or vice-versa (heap, a run-down car). Words may be clipped, or abbreviated (mike, microphone), and acronyms may gain currency (VIP, awol, snafu). A foreign suffix may be added (the Yiddish and Russian -nik in beatnik) and foreign words adopted (baloney, from Bologna). A change in meaning may make a vulgar word acceptable (jazz) or an acceptable word vulgar (raspberry, a sound imitating flatus; from raspberry tart in the rhyming slang of Australia and Cockney London; Sometimes words are newly coined (oomph, sex appeal, and later, energy or impact).
12. Position in the Language
Slang is one of the vehicles through which languages change and become renewed, and its vigor and color enrich daily speech. Although it has gained respectability in the 20th century, in the past it was often loudly condemned as vulgar. Nevertheless, Shakespeare brought into acceptable usage such slang terms as hubbub, to bump, and to dwindle, and 20th-century writers have used slang brilliantly to convey character and ambience. Slang appears at all times and in all languages. A person’s head was kapala (dish) in Sanskrit, testa (pot) in Latin; testa later became the standard Latin word for head. Among Western languages, English, French, Spanish, Italian, German, Yiddish, Romanian, and Romany (Gypsy) are particularly rich in slang.
II. YOUTH SUBCULTURES
Main Entry: sub·cul·ture
Pronunciation: 's&b-"k&l-ch&r
Function: noun
Date: 1886
1 a : a culture (as of bacteria) derived from another culture b
: an act or instance of producing a subculture
2 : an ethnic, regional, economic, or social group exhibiting
characteristic patterns of behavior sufficient to distinguish it from others
within an embracing culture or society PROSTITUTE
2 [probably partly from 3punk] : NONSENSE, FOOLISHNESS
3 a : a young inexperienced person : BEGINNER, NOVICE; especially
: a young man b : a usually petty gangster, hoodlum, or
ruffian c : a youth used as a homosexual partner
4 a : PUNK ROCK
b : a punk rock musician c : one who affects punk
styles
Main Entry: 2punk
Function: adjective
Date: 1896
1 : very poor : INFERIOR
2 : being in poor health
3 a : of or relating to punk rock b : relating to
or being a style (as of dress or hair) inspired by punk rock
- punk·ish /'p&[ng]-kish/ adjective
Main Entry: 3punk
Function: noun
Etymology: perhaps alteration of spunk
Date: 1687
1 : wood so decayed as to be dry, crumbly, and useful for tinder
2 : a dry spongy substance prepared from fungi (genus Fomes)
and used to ignite fuses especially of fireworks
Main Entry: punk rock
Function: noun
Date: 1971
: rock music marked by extreme and often deliberately offensive
expressions of alienation and social discontent
- punk rocker noun
Source: Webster's Revised Unabridged Dictionary
PUNK also known as PUNK ROCK aggressive form of rock music that coalesced into an international (though predominantly Anglo-American) movement in 1975-80. Often politicized and full of vital energy beneath a sarcastic, hostile facade, punk spread as an ideology and an aesthetic approach, becoming an archetype of teen rebellion and alienation.
Black leather jackets adorned with shiny metal spikes
and studs, combat boots, spike multi-colored mohawks (mohawk - a strip
of hair left on the top of the head, running from front to back), slam dancing,
and fast 3-chord rock and roll; all icons of the movement know as “punk”. These
are icons that defined the punk movement in the 70’s and 80’s, from the
earliest forms to the later forms. These are what many have seen when they saw
a “punk” walking down the street.
“Punk” is a word that was originally a term for a prostitute in England, 17
century (you can find it in W. Shakespeare’s play “Measure for measure”), then
it was a jailhouse term for a submissive homosexual, and was slapped on as a
label for a generation of miscreant mid-1960’s U.S. Garage bands that were
experimenting with post-Beatles British influence and early psychedelics . The
term later expanded to include the rest of the “miscreants” that erupted in the
mid 70’s.
The punk movement emerged in the mid 1970’s. Most people disagree to just where
the punk movement started. Some say that it developed in the US in NYC, others
say it was an effort for the British youth to rebel against the current UK
government. There are some who say that it was an art form, then there are some
who believe it was a unorganized, combined effort between the US and the UK,
that eventually developed into a sort of a “punk race”. Despite the controversy
about whether the punk movement started in the US, the UK, or some other place
in the world, it is sure the entire world has felt its force in the emergence
of subcultures and its direct influence on the music styles of today.
If it is asked who the first punk band was, and the person answering held true to the belief that punk was born in the UK, many persons would answer that it was the Sex Pistols. SEX PISTOLS – rock group who created the British punk movement of the late 1970s and who, with the song "God Save the Queen," became a symbol of the United Kingdom's social and political turmoil. By the summer of 1976 the Sex Pistols had attracted an avid fan base and successfully updated the energies of the 1960s mods for the malignant teenage mood of the '70s. Heavily stylized in their image and music, media-savvy, and ambitious in their use of lyrics, the Sex Pistols became the leaders of a new teenage movement - called punk by the British press - in the autumn of 1976. Their first single, "Anarchy in the U.K.," was both a call to arms and a state-of-the-nation address. When they used profanity on live television in December 1976, the group became a national sensation.
I am an anti-Christ
I am an anarchist,
don't know what I want
but I know how to get it.
I wanna destroy the passers-by
'cos I wanna be anarchy…
The Sex Pistols released their second single, "God Save the Queen," in June 1977 to coincide with 's Silver Jubilee (the 25th anniversary of her accession to the throne). Although banned by the British media, the single rose rapidly to number two on the charts. As "public enemies number one," the Sex Pistols were subjected to physical violence and harassment.
God save the Queen
the fascist regime,
they made you a moron
a potential H-bomb.
God save the Queen
she ain't no human being.
There is no future
in England's dreaming
Don't be told what you want
Don't be told what you need.
There's no future
there's no future
there's no future for you
God save the Queen
'cos tourists are money
and our figurehead
is not what she seems
Oh God save history
God save your mad parade
Oh Lord God have mercy
all crimes are paid.
When there's no future
how can there be sin
we're the flowers
in the dustbin
we're the poison
in your human machine
we're the future
you're future
God save the Queen
we mean it man
there is no future
in England's dreaming
No future
no future for you
no fufure for me
Punks formed a
style to disassociate themselves from society. They refused to dress
conservatively, wearing clothing such as ripped or torn jeans, t-shirts or
button-down shirts with odd and sometimes offensive remarks labeled on them.
This clothing was sometimes held together with band patches or safety pins, and
the clothing rarely matched; such patterns as plaid and leopard skin was a
commonplace. It was not unusual to see a large amount of body piercing and
oddly crafted haircuts. The punks dressed (and still do) like this to separate
themselves from society norms.
Punks believed in separating themselves from society as much as possible; thus
the odd dress and/or rude style. Many times these punks are associated with
anarchy. Although most all punks were about anarchy, They believed that
government was evil, and that a government society could never be perfect; the
government was as far from Utopia as one could get. By the early 1980’s, punk
went underground and underwent many changes. These changes were the formation
of subcultures.
3.MOD
Main Entry: 2mod
Function: adjective
Etymology: short for modern
Date: 1964
1 : of, relating to, or being the characteristic style of 1960s
British youth culture
2 : HIP,
TRENDY
Source: Webster's Revised Unabridged Dictionary
The Mod was a product of working-class British youth of the mid-sixties. The popular perception of the mod was this: "Mod" meant effeminate, stuck up, emulating the middle classes, aspiring to be competitive, snobbish. The old image was one of neatness, of 'coolness'. The music of the Mod was strictly black in inspiration: rhythm and blues, early soul and Tamla, Jamaican ska. The closest thing to a Mod group was probably the Who - the music neatly caught up the 'pilled up'. London nightlife of the mod mythology in a series of effective anthems: 'My Generation, 'Can't Explain', 'Anyhow, Anywhere'. The drug use of Mods was of amphetamines ('purple hearts', French blues', Dexedrine) and pills, uppers and downers, and sleepers. Brake explains why the Mods existed by writing "for this group there was an attempt to fill a dreary life with the memories of hedonistic consumption during the leisure hours...the insignificance of the work day was made up for in the glamour and fantasy of night life." These were working class teenagers whose white-collar office work was a drudgery that, for many, would exist for the rest of their lives. The Mods had their “own” style of life, “own” music and “own” bands. They were different from another fashion victims not only with their clothes (suits, severe ties, long scarfs) but they led a secluded life, they were on bad with the strangers. They spent endless evenings in their “own” bars and had a great passion for scooters.
4.SKINHEAD
Main Entry: skin·head
Pronunciation: 'skin-"hed
Function: noun
Date: circa 1953
1 : a person whose hair is cut very short
2 : a usually white male belonging to any of various sometimes
violent youth gangs whose members have close-shaven hair and often espouse
white-supremacist beliefs
Source: Webster's Revised Unabridged Dictionary
Skinhead origins begin in Britain in the mid to late 1960's. Out of a youth cult known as the "Mods," the rougher kids began cutting their hair close, both to aid their fashion and prevent their hair from hindering them in street fights. These working class kids adopted the name "Skinheads" to separate themselves from the more dainty and less violent Mods. Huge groups of these explosive youths would meet every Saturday at the football grounds to support their local teams. The die hard support for a group's team often lead to skirmishes between opposing supporters, leading to Britain's legendary "football violence." When night swept the island, the skinheads would dress in the finest clothes they could afford, and hit the dance halls. It was here they danced to a new sound that was carried to Britain by Jamaican immigrants. This music went by many names including: the ska, jamacian blues, blue beat, rocksteady, and reggae. At these gatherings the skinheads would dance, drink, and laugh with each other and the Jamaican immigrants whom brought the music to Britian.
During the 1970's, there were many changes in the "typical" skinhead. For some fashion went from looking smooth in the best clothes you could afford with a blue-collar job, to looking like you were at home, even when you were out. For others the disco craze of the seventies hit hard, resulting in feathered hair, frilly pants, and those ugly seventies shoes. By the late 70's the National Front, Britain's National Socialist party, had invaded the skinhead movement. Kids were recruited as street soldiers for NF. Since skinheads were already a violent breed, the NF decided that if their young recruits adopted the skinhead appearance, the might benefit from the reputation. It was at this point that racism permeated the skinhead cult without the consent of its members.
Also by the mid 70's punk had put the rebellion back in rock-and-roll, opening a new avenue for street kids to express their frustrations. The shifting mindset brought kids into the skinhead movement as yet another form of expression. By the late 70's punk had been invaded by the colleges, and record labels, letting down kids who truly believed in its rebellion. From the streets came a new kind of punk rock, a type which was meant to be true to the working class and the kids on the street. This new music was called "Oi!" "Oi!" is short for "Hoi Palloi", latin for "Working Class", and the name stuck. Oi! revived the breath of the working class kids. Because of Oi! music's working class roots, the media scorned its messages unlike they had done with the first wave of punk. With the change in music came a new kinds of skinheads, and the gaps between the different types widened. Aside from the National Front's skinheads, the movement had been simply a working class struggle, rather than a right-left political struggle. With skinheads forming their own bands, political lines began to be drawn on the basis of right-left and even non-political politics. Politically right groups were often associated with the National Front and had distinct racial messages. Leftist groups looked at the working class struggle through labor politics. Non-political groups often shunned both sides simply because they chose to be political. The Oi! movement consumed most of the 1980's and is still alive today.
Skinheads have spread to every part of the globe. Each country supports an independent history of skinhead goals, values, and appearances. The definition of "skinhead" varies from country to country, which doesn't say too much since it also varies from city to city.
Starting in the late 80's, through present day, there has been a large resurgence back to the "traditional" values and appearance of the 1960's skinhead. This has occurred in Britain, America, as well as most of Europe. This has lead to even more tension, this time between "traditional," and "non-traditional" skins.
Influences of punk can be found in the skinhead
culture. Skinheads were in existence long before the punk movement came around,
and they were in healthy shape. The split in skinhead culture happened about
the same time that the skinheads accepted punk. On one side was the traditional
skinheads, known as “baldies”, and on the other was the racist skinheads, known
as “boneheads”. Even today there is the negative connotation that skinhead
stands for racism, which is hardly the case. But there is also a group that
calls itself SHARPs (SkinHeads Against Racial Prejudice; militantly
anti-racist skinheads). Skinheads went for a
clean-cut look, thus the shaved heads, jeans that fit, plain white t-shirts
(sometimes referred to as “wife beaters”), and work boots (“shit kickers”).
Tension between the two skinhead cultures exists still today, and an ongoing
war is still going on between the white supremacist nazi punk skinheads and the
working class anti-racial skinheads.
The names of Oi! bands were sometimes cruel (Dead John Lennons, Millions
of Dead Cops).
5.GOTH
Main Entry: Goth
Pronunciation: 'gäth
Function: noun
Etymology: Middle English Gothes, Gotes (plural), partly from Old
English Gotan (plural); partly from Late Latin Gothi (plural)
Date: 14th century
: a member of a Germanic people that overran the Roman Empire in the
early centuries of the Christian era
Main Entry: Goth
Function: abbreviation
Gothic
Source: Webster's Revised Unabridged Dictionary
Goth emerged in the late 1970’s, branching off of the punk scene. A band by the name of Siouxsie and the Banshees are accredited with the starting of the Goths. Gothic music differs from punk to the effect that it eliminated the chainsaw sound of punk and replaced it with a droning sound of guitar, bass, and drums. The Goths also believed that society was too conservative, but they also felt that no one accepted them, so they viewed themselves as outcasts of society. Goths are preoccupied with introspection and melancholia. They are inclined to speak poetically of 'beautiful deaths' and vampiric sympathies. Theatrical as they are, goths are not (or not only) play-acting and self-dramatizing. The Goths wear almost nothing but black, perhaps with a little white or even red. Goth girls have a penchant for nets and lace and complex sinister jewelry; with their long black hair, black dresses and pasty complexions, they look positively Victorian. Boys have long hair and often wear black leather jackets and can at times be mistaken for heshers. Goths dye their hair black and wear black eyeliner and even black lipstick. They usually apply white makeup to the rest of their faces. The music they listen to also carries the name "goth" and seems to have descended from , but typically the vocalist uses an especially cheesy 50's Count Dracula enunciation pattern.
Unlikely as it may seem, this movement, fostered at a
London nightclub called the Batcave in 1981, has become one of the
longest-enduring youth-culture tribes. The original Goths, named after the
medieval Gothic era, were pale-faced, black-swathed, hair-sprayed night
dwellers, who worshiped imagery religious and sacrilegious, consumptive poets, and
all things spooky. Their bands included Sex Gang Children, Specimen, and Alien
Sex Fiend, post-punk doom merchants who sang of horror-film imagery and
transgressive sex. When Goth returned to the underground in Britain, it took
root in the U.S., particularly in sunny California, where the desired air of
funereal gloom was often at odds with the participants' natural teen spirit.
English bands like Bauhaus, Siouxsie and the Banshees, and the Sisters of Mercy
cast a powerful spell over the imaginations of American night stalkers, and
pop-Goth variants the Cure and Depeche Mode filled stadiums. Further proof of
the movement's mass appeal was the success of The Crow horror movies
(1994, 1996), both of which were suffused with Goth imagery.
Goth provides a highly stylized, almost glamorous, alternative to fashion for suburban rebels, as well
as safe androgyny for boys. The massive popularity of such industrial-Goth
artists as , Nine Inch Nails,
and has
somewhat validated the Goth crowd's outré modus vivendi, though as
industrial rock replaces heavy metal as the sound of Middle America, Goth's
dark appeal is blanched. Goth enjoyed a spate of media coverage in late 1996
thanks to such peripherally related events as the Florida " murders" of November 1996. To
this day, the movement continues to replenish itself with the fresh blood of
new bands and fans.
6.INDUSTRIAL
Music genre that originated in London in 1976 when confrontational noisemakers Throbbing Gristle founded the Industrial Records label. Disappointed that rock had joined the rock 'n' roll tradition instead of destroying it, British and American fellow travelers like Leather Nun, Monte Cazzazza, and Cabaret Voltaire aligned themselves with Industrial Records, creating a broad church for (usually rhythmic) experiments with noise collage, found sounds, and extreme lyrical themes. Believing that punk's revolution could be realized only by severing its roots in traditional rock, industrial bands deployed noise, electronics, hypnotic machine rhythms, and tape loops. Instead of rallying youth behind political slogans, industrial artists preferred to "decondition" the individual listener by confronting taboos. Key literary influences were 's anatomies of aberrant sexuality and the paranoid visions and "cut-up" collage techniques of .The industrial subculture (touching on and ) spread worldwide.
7.HARDCORE
Main Entry: hard core
Function: noun
Date: 1936
1 : a central or fundamental and usually enduring group or part:
as a : a relatively small enduring core of society marked by
apparent resistance to change or inability to escape a persistent wretched
condition (as poverty or chronic unemployment) b : a militant or
fiercely loyal faction
2 usually hard·core /-"kOr, -"kor/ chiefly
British : hard material in pieces (as broken bricks or stone) used
as a bottom (as in making roads and in foundations)
Source: Webster's Revised Unabridged Dictionary
Following the “death” of punk in the late 1970’s was a
hard and heavy form of punk known as Hardcore. Hardcore is faster, louder, and
heavier than the punk of the 1970’s, and it gained much popularity over the
early and mid 1980’s.Typically the
vocals are screamed and unintelligible, though they frequently give voice to
strong political sentiments, the bass is played with a pick and is clear and
tonal while the guitar forms a dynamic, often atonal, texture of sound. rock
and roll radio. Bands such as Black Flag, D.O.A., Circle Jerks, Fear, Bad
Brains, The Meatmen, Agent Orange and Minor Threat were the major influences in
Hardcore, and the idea of slam dancing was born in the tradition of punks “pogo
dancing”. This slam dancing, or moshing, was done in a mosh pit and was
accompanied by the occasional stage diving or crowd surfing. The main message of
Hardcore was “DIY”, or Do It Yourself.
The DIY movement was purely in the tradition of punk; punk was a form of music
that almost anyone could play, it usually involved only 3-chords and a band
could be put together cheaply. It was a not-so-expensive way for youth to put
out their message.
8. STRAIGHT EDGE
The DIY style
of Hardcore gave way to other subcultures of punk, one in particular is known
as sXe, or Straight Edge. Most of the sXe credit is given to the band Minor
Threat after they released their song “Straight Edge”. The song was an outcry
against the effects of drugs, and fans of Minor Threat started to quit using
non-pharmaceutical drugs like nicotine, alcohol, and marijuana. These Straight
Edgers felt that using drugs was a sign of weakness, and they still dressed as
normal punks did, but wore anti drug messages on their shirts. The symbol of
Straight Edgers is a large X, originally a symbol that clubs would mark on
hands if the person was not old enough to (legally) drink. Eventually Straight
Edgers started to put the marks on by themselves, even if they were over 21, to
signify that they were living drug-free. Other movements that found their way
into the Hardcore DIY scene were Green Peace, the Vegan Movement, concerts
raising money for the homeless, and the Hare Krishnas, as well as other
religious groups.
9.GRUNGE
Main Entry: grunge
Pronunciation: 'gr&nj
Function: noun
Etymology: back-formation from grungy
Date: 1965
1 : one that is grungy
2 : rock music incorporating elements of punk rock and heavy
metal; also : the untidy working-class fashions typical of fans
of grunge.
Source: Webster's Revised Unabridged Dictionary
Grunge, rock music style of the early 1990s, characterized by a thick, abrasive, distorted guitar sound. Grunge evolved from punk in the Seattle, Washington, area and came to prominence with the chart success of the band Nirvana in 1991. Grunge is said to have originated as marriage between 's hesher and punk scenes. Characteristic of most of these bands is punk rock drums and vocals, hesher hair and guitar, and working-class clothing that is rarely washed. Lyrics frequently confront such uncomfortable subjects as unpopularity, alienation from divorced parents, disease, the hypocrisy and allure of religion, heroin, and raw lust.Grunge may or may not be a useful term to describe a segment of youth delinquency, but with historical perspective, it is best used to describe a record company phenomenon. Grunge was a revolution, the revolution where punk rock was decisively injected into mainstream rock and roll.
Numerous
culture makers embarrassed themselves in the rush to exploit the most vital
white youth culture in years. Grunge "fashion"--the perennial flannel
shirt//ripped jeans
uniform of suburban burnouts everywhere--was suddenly used as an exotic novelty
by designers.
10. ALTERNATIVE
Main Entry: 1al·ter·na·tive
Pronunciation: ol-'t&r-n&-tiv, al-
Function: adjective
Date: 1540
1 : ALTERNATE 1
2 : offering or expressing a choice
3 : different from the usual or conventional:as a :
existing or functioning outside the established cultural, social, or economic
system pop
that typically breaks free of such rock and roll rules as the /scales, the 4/4
rhythm, hi fidelity, and the need for rhyming
lyrics. There is, however, plenty of "alternative" that is hard to
distinguish from classic rock. These days
much of the new rock and roll that mainstream rock stations play is stuff that
would have been considered alternative only a year or two before.
11. METAL
Main Entry: heavy metal
Function: noun
Date: 1974
: energetic and highly amplified electronic rock music having a hard
beat
Source: Webster's Revised Unabridged Dictionary
HEAVY METAL- a typically 80's style of music that features most
of the characteristics of classic rock but with louder, more distorted guitars,
ominous and driving rhythm, and screaming vocals about subjects such as drug
use, war, religion, and problems with girlfriends. Most heavy metal bands also
write sappy love ballads that find their way into mainstream radio play lists.
Heavy metal emerged in the late 60s mostly from bands such as Led Zeppelin, Black Sabbath and Deep Purple. Such bands tended to be "hard" in that they succeeded in torturing parents in ways that the Beatles just couldn't, but in most respects they were very different from one another. Later, bands like Judas Priest and Iron Maiden added to the genre as it expanded into and borrowed from pop. This culminated in the late 80s diversification of heavy metal into several completely different branches. There were the blues-based big haired glam metal bands such as Great White and Motley Crew that sang exclusively about babes, there were the attitude bands like Guns 'n' Roses who also sang about babes (with an emphasis on how easy they are to get into bed), there were the dark and mysterious alternative metal bands like Nirvana and Soundgarden that avoided glamour and sang about angst and other water sign issues, there were the bands like Living Colour, Fishbone and Faith No More that were either black or borrowed from rap and soul culture, and there were the fast bandslike Slayer and Metallica that sent many a parent in search of an exorcist.
Although the origin of the term heavy metal is widely attributed to novelist , its use actually dates well back into the 19th century, when it referred to cannon or to power more generally. It also has been used to classify certain elements or compounds, as in the phrase heavy metal poisoning. Heavy metal appeared in the lyrics of Steppenwolf's "Born to be Wild" (1968), and by the early 1970s rock critics were using it to refer to a specific style of music. Heavy metal has historically required one thing of its performers: long hair. Heavy metal musicians and fans came under severe criticism in the 1980s. Political and academic groups sprang up to blame the genre and its fans for causing everything from crime and violence to despondency and suicide. But defenders of the music pointed out that there was no evidence that heavy metal's exploration of madness and horror caused, rather than articulated, these social ills. The genre's lyrics and imagery have long addressed a wide range of topics, and its music has always been more varied and virtuosic than critics like to admit.
Heavy metal fragmented into subgenres (such as lite metal, death metal, and even Christian metal) in the 1980s.
SPEED METAL- a genré of music typified by a continuous double-bass drum roll, high-speed distorted guitar rhythms, an almost silent bass, and screeched or groaned vocals concerning war, death, fighting, environmental abuse, brutality, and (in rare cases) lust. The main problem with most speed metal bands is that they still see a need to put guitar solos in their songs, and the guitar solos are always really bad and last entirely too long. Speed metal seems to be a result of a marriage between punk rock and heavy metal.
. Examples of speed metal bands: , , , , ,
THRASH METAL - speed metal with an especially strong punk influence. While in general speed metal musicians pride themselves on their talent and knowledge of music theory, thrash musicians laugh at such concepts or else skillfully conceal their acquaintance with them. Examples of thrash bands: , , some , and even some .
V. DICTIONARY
1.Dictionary of youth slang during 1960-70’s
acid (n) LSD, a narcotic drug popular among hippies. see psychedelic, bad
trip.
afro (n) haircut popular among African-americans during 1960's and
'70's.
aquarian (adj.) we're not sure exactly what this means, but it has something to
do with the "Age of Aquarius" and the musical Hair.
bad scene (n) a bad situation. see scene.
bad trip (n) originally described a bad experience using drugs,
characterized by frightening hallucinations. Can be used to describe any bad
experience.
bag (n) one's main interest or purpose in life.
black light (n) a decorative light, dark blue in color to the human eye,
which makes objects or artwork in flourescent colors appear to glow.
blow your mind (v) to have an enlightening or illuminating experience.
bread (n) money.
bummer (n) bad experience.
bust (v) to arrest someone, (n) an arrest.
cat (n) a person. derived from beatnik language of the 1950's.
chick (n) a girl or woman.
commune (n) an community of people who share possessions, living
accomodations, and work (or lack thereof). Usually encompasses a farm and other
fashionable industries.
crash (v) to sleep, rest, or do nothing.
crash pad (n) a place where one sleeps, rests, or does nothing.
dig (v) like, enjoy, be interested in.
drag (n) an unfavorable situation or state of affairs.
dude (n) person, usually male.
establishment, the (n) traditional business and government institutions,
believed to stand in the way of human progress. see "system, the."
far out (adj) very interesting, good.
Also an exclamation.
free love (n) love without expectations or commitment.
fuzz (n) police.
get it on (n) successfully interact with others.
groove (v) enjoy, achieve proficiency at. see "groovy."
groovy (adj) good, interesting, enjoyable.
hang out (v) to be some place, usually doing nothing, with no purpose.
hang-up (n) inhibition, usually due to morals, beliefs, or culture.
happening (adj) exciting, new, good.
heavy (adj) thought-provoking.
hippie (n) [still searching for a definition here]. hip (adj)
knowledgable of, or consistent with, the latest trends and ideas.
Iron Butterfly (n) a rock band which had one popular song, "Inna
Gadda Da Vida."
lava lamp (n) a cylindrical glass container filled a semi-solid viscous
material which breaks apart and forms globules while floating in a clear fluid.
like (?) word used to fill up space in an utterance when the speaker is
unable to think of a suitable adjective to describe something. Use of this word
has also been adopted by adjective-challenged subcultures of more recent
generations.
love beads (n) colorful beads worn around the neck to symbolize love.
man (interjection) used as an exclamation to draw attention to one's
utterance. related phrase: "hey, man."
mood ring (n) a ring worn on the finger which contains a large stone,
the color of which is supposed to indicate the wearer's emotional mood. Mood
rings were a fad in the mid-1970's.
oh wow (interjection) exclamation
uttered in response to new, thought-provoking, or exciting information.
out of sight (adj) excellent, outstanding. Often used as an exclamation.
pad (n) living accomodation--house or apartment.
peace (n) absence of war.
psychedelic (adj) of or related to a mental state characterized
by a profound sense of intensified sensory perception, sometimes accompanied by
severe perceptual distortion, hallucinations, or extreme feelings of euphoria
or despair. see acid.
rap (v,n) to talk, conversation. More recently used to name a category
of music where words are spoken, rather than sung.
San Francisco (n) worldwide center of hippie activity and general
weirdness.
scene (n) place, situation, or circumstances.
sock it to me (phrase) let me have it.
spaced out (adj) dazed, not alert.
split (v) to leave, depart.
square (adj) old-fashioned, not aware of new thinking and customs. (n)
one who is square.
system, the (n) the system of laws, governance, and justice. see
"establishment, the".
tie dye (v) a method of coloring clothing where the article of clothing
is tied in knots, then dying it to produce an abstract pattern. (n) an article
of clothing dyed in this manner.
trip (n) an unusual experience. (v) to have an unusual experience.
turn on (v) to become enlightened to new ways of thinking or
experiencing reality.
uptight (adj) concerned about maintaining set ways of thinking and doing
things.
2.Dictionary of modern British slang
These phrases are in everyday use around most of Britain.
Phrase Meaning
---------------------------------------------------------------------
99 a popular style of ice cream, usually
ordered with a 'flake'
'A' levels exams taken at age 18
abso-bloody-lutely a more definite form of 'absolutely'
afters dessert
aggro trouble; violence
all broke up on holiday, usually from school
all of a twitter very nervous or apprehensive
aluminium aluminum
arse bottom, or ass
arse bandit a homosexual
arse over tit to fall head over heels
arse about playing around, being silly
e.g. "stop arsing about!"
artic an articulated lorry; a bick truck
Aussie an Australian
backhander a bribe
bag an unattractive or elderly woman
balderdash rubbish; nonsense
balls-up a mess; a confusion
banger (1) an old car; (2) a sausage
barking mad crazy
batty dotty; crazy
beak magistrate
beehive a tall hairstyle
bees knees something really good
beetle crusher a boot; a foot
behind bottom; buttocks
berk a stupid person
e.g. "you silly berk"
bevvy a drink
bit of fluff a pretty young single woman
bill, the police, sometimes called "the old bill"
binge a drinking bout
bin liner garbage bag
bin men garbage collectors
bint a rough girl
biro a ballpoint pen
bit of alright something highly satisfactory
black maria a police van
black pudding a sausage like food made from
- pigs blood
- oats
- fat
black sheep of the familya relative who gets into trouble with the
police
blag a robbery; to rob
blagger a robber
Blighty England
blimey ! an expression of surprise
blob a contraceptive
blotto drunk
blower telephone
blow your own trumpet to brag; to boast
blubber to cry
bobby dazzler a remarkable person or thing
bog a toilet, a washroom
bollock naked stark naked
bollocks testicles
bonce head
bonk to copulate
bonnet hood of a car
bookie betting shop owner
boot trunk of a car
boracic penniless
bosch a derogative term for germans
bovver trouble
bovver boot a heavy boot, possibly with a toe cap and laces
quite often worn by skinheads
bovver boy a hooligan; a troublemaker
brass monkey weather cold, taken from the phrase, "it's cold enough
to freeze the balls off a brass monkey"
breakdown van a tow truck
brickie a bricklayer
brill ! short form of brilliant, meaning fantastic
brolly an umbrella
browned off bored; fed up
Brummy a native of Birmingham
bubble and squeak fried cabbage and potatoes
bubbly champagne
bugger all nothing; very little
bumf toilet paper
this led to 'bumf' being used for superfluous
papers, letters etc.
bumming a fag requesting a cigarette
e.g. "Can I bum a fag from you mate ?"
Note: This has a VERY different meaning
in the U.S.
bunch of fives a fist
"button it !" "be quiet !"
caff a cafe
cake hole a person's mouth
cardy abbreviation of cardigan
champers champagne
char tea; a domestic worker
cheeky monkey a rude person
cheesed off bored; fed up
chin chin a drinking toast
chippy a fish and chip shop; a carpenter
chokey prison
chuffed very pleased or proud
clapped out worn out, broken
clappers to go very fast; to work hard
e.g. That car goes like the clappers !
e.g. I have to work like the clappers
to finish it by lunchtime !
clickety click 66 in bingo calling
clink prison
clinker somebody who is outstanding
clobber clothing
clodhopper a clumsy person
clogger a soccer player who tackles heavily
clot a fool
cloth-ears a person with a poor sense of hearing
cobblers testicles; rubbish
cock and bull a story with very little truth in it
cock up to ruin something
e.g. "it was a real cock-up"
e.g. "haved you cocked it up ?"
coffin nail a cigarette
conk nose
conkers a childrens game played with horse chestnuts
copper police man/woman
cough up to pay
crackers crazy
cracking great; fantastic
crackling a woman who is regarded as a sexual object
crate an old name for a very old plane
create to make a fuss or an angry scene
crown jewels male genitalia
crumbly an old or senile person
crumpet a desirable woman
dabs fingerprints
daft stupid
dark horse somebody who suprises others by their actions
des res Estate agents use this to describe a
"desirable residence"
dial face
dickie bow a bow tie
diddicoy a gipsy
dip a pickpocket
dishy good looking
do a runner to leave quickly avoiding punishment
doddle easy
dog's bollocks something really good
dog's breakfasta mess
donkey's breakfast a straw hat
doodah to be in a state of excitement
e.g. "He was all in a doodah !"
doolally scatter-brained; crazy
doorstep a thick sandwich
dosh money
doss house a cheap lodging house
dosser a tramp
do the dirty onto play a mean trick on
dough money
droopy drawers an untidy or sloppy person
drop a sprog have a baby
drum a house or flat
duffer a stupid person
dummy a baby's pacifier
earful to get a shouting
e.g. "My mum gave me a right earful !"
easy-peasy something very simple
earner a lucrative job or task
elevenses morning tea break
extracting the urine see "taking the piss"
fab fabulous; wonderful
face-ache a miserable looking person
fag cigarette
fag-end a cigarette butt
fairy a homosexual man
family jewels male genitalia
fanny female genitalia
fence a receiver of stolen goods
filth, the police
fishy about the gills looking the worse for drink
fizzog face
flake a stick that is made up of flaky
pieces of chocolate
flicks, the the cinema
flog to sell
footy football; soccer
fuzz, the police
gamboll a somersault done on the ground
gamp an umbrella
gentleman's gentleman a valet
Geordie a native of Newcastle
gift of the gabbeing very free with speech
git an insult
e.g. "You stupid git !"
give it a whirltry it out
give someone the pip to get on someone's nerves
gob mouth
gobsmacked speechless
goes like stinkvery fast
good nick very good condition
gooseberry a fifth wheel
goosegog a gooseberry
go to the dogs to go to ruin
grass, grasser an informant
hang about wait a moment
hell for leather very fast
hols holidays
home and dry to be safe
hush silence
inexpressibles trousers
in good fettle in good health
in the altogether nude
in the know to have inside information
in the noddy nude
jam packed very full
jar a drink, usually a pint of beer
jelly jello
jerry a chamber pot
jerry builder a builder of unsubstantial houses
Jock a scottish person
Jonah a bringer of bad luck
jumped up to be conceited
jumper sweater
keep you hair on please calm down
kick the bucketto die
kissed the Blarney Stone a person who tells tall stories
knackered tired, worn out
derived from horses being taken to the
'knackers yard'
knockers breasts
leg it ! quick lets run !
legless drunk
like a rat out of a very fast
drainpipe
load of bollocks you're talking crap
utter nonesense
loo a toilet; a washroom
Liverpudlian a native of Liverpool (also see Scouser)
lorry a truck
man in blue a policeman
marmite a spread for sandwiches
me old cock my old friend
meat and two veg. male genitalia
mind your P's and Q's to be careful; to be polite
moggy cat
mom`s the word it's a secret between you and me
can be abbreviated to "Keep mom !"
money for jam an easy job
money for old rope an easy job
mother's ruin gin
mucker mate, friend
mucky pup someone who has soiled themselves
e.g. "You mucky pup !"
mug face
mutton chops side whiskers
nancy boy an effeminate male
nark a police informer
nightie a nightdress
nick prison; to steal
e.g "Hey, my bike's been nicked !"
nick, the prison
nincompoop a fool
nipper a young or small child
nippy (1) fast, or (2) cold
e.g. (1) "that car is nippy !"
e.g. (2) "it's nippy out today"
nix nothing
none too easy very difficult
e.g. "that exam was none too easy !"
nosey parker somebody who is nosey
not bad very good
not so hot not very good, awful
old man father
old girl mother
old lady mother
one in the oven pregnant, also "a bun in the oven",
"up the plum duff" and "in the pudding club"
on spec on chance
on the nod on credit
on the razzle dressed up and looking for sex
on the tap looking for sex
on your bike! go away!
out for a duck obtained a zero score
Paddy an Irishman
paralitic to be drunk
pavement sidewalk
pictures, the the cinema
pick-me-up a tonic
pie eyed to be drunk
pigs, the police
pigs breakfast a mess
pigs ear a mess
pig in muck somebody in their element
e.g. "he is as happy as a pig in muck"
pillock an insult
pinny apron
pissed drunk
pissed off to be annoyed
e.g. "I was pissed off !"
e.g. "He really pissed me off !"
The US replace "pissed off" with "pissed" alone.
piss head somebody who is drunk quite often
plastered drunk
e.g. "He's plastered !"
play hookey to play truant
plimpsolls childrens non-laced sneakers
plod police man/woman
plonk cheap wine
e.g. "This plonk's not bad !"
plonker (1) penis, (2) fool
e.g. "you silly plonker !"
plus fours trousers
ponce a homosexual
pong a bad smell
pooh pooh to reject an idea
e.g. "He pooh pooh'd my idea !"
pools, the a weekly betting game based on the outcome
of soccer matches; run by Vernons and
Littlewoods (and possibly others)
pratt an insult
e.g. "you stupid pratt !"
preggers pregnant
pudding dessert
pull a bird meet a woman; pick up a girl
quite often shortened to 'pull'
e.g. "Did you pull ?"
pull a fast oneto fool or swindle somebody
pull a pint hand pump beer into a glass
pull a stroke to outsmart
pull the other one I don't believe you
short form of "pull the other one, it has
bells on"
pull your pud to masterbate
pumps running shoes
punter a customer
purse a ladies wallet
put a sock in it to be quiet
put the anchors on to apply the brakes; to slow down
put the boot into beat somebody up
put the kibosh on to put a stop to something
put the wind upto scare
Queer Street where you are if you don't have
any money
quiff a fancy hairstyle
randy horny
rave up a good party
readies cash
ropey flaky or dodgey
rozzer policeman
rug a wig; a toupee
rubbed the wrong way to upset somebody
salt a sailor
same to you with brass usually said in response to a derogatory
knobs on !! remark
sarnie a sandwich
scab a strike breaker
scallywag a mischevious person
scarper to run away fast, possibly avoiding
punishment
Scouser a native of Liverpool (see also Liverpudlian)
scrap a fight
scrubber a cheap or loose woman
shag to copulate
shake a leg to get a move on
shall I be mother ? shall I pour the tea ?
sheckels money
silly arse a foolish person
skivvy a domestic servant
slash to urinate
e.g. "I'm going for a slash."
smalls underwear
smart alec a clever person
snifter a drink of spirit
snog to kiss
snuff it to die
sod derogatory remark, derived from sodomy
soldiers bread cut into thin strips for dipping into
a boiled egg
so stick that in your usually said after a derogatory remark
pipe and smoke it !
sozzled drunk
spam a rather tasteless form of tinned meat
spanner a wrench
sparky an electrician
splice the main-brace to drink
spread a good meal; a feast
sprog a young child or baby, could also
mean illegitimate
spud a potato
squiffed drunk
stewed drunk
strides trousers, pants
subway an underpass
a pedestrian walkway beneath a road
swag stolen money; a thief's plunder
swing the lead a malingerer
swizz a swindle or cheat
swot somebody who studies
ta thankyou
Taffy a Welshman
ta muchly thankyou very much
Tandy Radio Shack
take French leave to leave without permission
taking the pissmaking fun of
tea leaf thief
terminus the end of the bus route
the smoke London
three sheets in the wind drunk
Tic Tac Man a bookmakers signaller
ticker the heart
tights pantyhose
"Time gentlemen please !" Usually said as the pub is closing,
so as to request that the patrons
finish their drinks.
tip a mess
e.g. "Your room is a tip !"
toff a posh person
tomato sauce ketchup
Tommy Rot nonsense
top sad extremely bad
torch flashlight
tosser see wanker
toss pot one who drinks too much
trainers running shoes
trollop not a nice girl
trousers pants
tube London Underground
tuck in schools it means cake, crisps,
sweets etc.
turf accountantbetting shop owner
turn-ups trouser cuffs
turps turpentine
under the weather ill; sick
unmentionables underwear
vest a man's undershirt
wag a joker
wagging it to play truant
wallflower a woman who does not dance
wanger penis
wanker infers that the subject masturbates
weed a weak person
welly wanging the art of throwing wellington boots
white elephant a valuable, but useless article
willies, the nerves
willow a cricket bat
willy penis
wings fenders of a car
Winkle Pickers shoes with pointed toes
wireless a radio
wishy washy feeble; stupid
VI. BIBLIOGRAPHY
Charlie Gillett, The Sound of the City: The Rise of Rock and Roll, 2nd ed., newly illustrated and expanded (1996),
Chapman, Robert L. American Slang. HarperPerennial, 1987. Abridged edition of the New Dictionary of American Slang (Harper, 1986).
PRIVATEThe Concise Columbia Encyclopedia, Third Edition Copyright © 1994, Columbia University Press.
Dictionary of contemporary slang
- Tony Thorne.
Published by Bloomsbury / London. 1997.
The Encarta World English Dictionary, published by St. Martin's Press. 1999
Flexner, Stuart Berg, and Anne H. Soukhanov. Speaking Freely: A Guided Tour of American English from Plymouth Rock to Silicon Valley. Oxford University Press, 1997.
Greil Marcus, Lipstick Traces: A Secret History of the Twentieth Century (1989),
Jon Savage, England's Dreaming: Sex Pistols and Punk Rock (1991)
Lighter, Jonathan E.; J. Ball; and J. O'Connor, eds. Random House Historical Dictionary of American Slang. Random House, 1994 .
Mark Hale, HeadBangers: The Worldwide Megabook of Heavy Metal Bands (1993)
Mark Slobin, Subcultural Sounds: Micromusics of the West (1993)
The New Encyclopaedia Britannica, 15th Edition © 1985, Britannica Corporation
The Oxford dictionary of modern slang - John Ayto / John Simpson.Published by Oxford University Press. 1992.
Partridge, Eric. Dictionary of Slang and Unconventional English. Macmillan, 1985. A classic, with 7,500 entries; first published in 1937.
Peter van der Merwe, Origins of the Popular Style (1989, reissued 1992),
Webster's Revised Unabridged Dictionary, © 1996, 1998 MICRA, Inc
Wentworth, Harold and Flexner, Stuart Berg. Dictionary of American Slang. Crowell, 2d ed., 1975.
А. Кокарев “Панк-рок от А до Я”, Москва, “Музыка”, 1992